Thursday, 11 April 2013

The Rising of the Moon - Gladys Mitchell

I began to be assailed by doubts... we had no proof that [they]intended to kill us. I was still in a state of suspended panic, but the fairy-gold logic of childhood was reasserting itself, with ultimate hope of victory, in my mind.
The Rising of the Moon has become one of my favourite Mrs. Bradley novels. I had the added novelty of reading this over the Easter period, when the series of murders begins! The story is written as a first person narrative of Master Simon Innes. Mrs Bradley does not enter the story until part way through, which means that a lot of the detective work is carried out by Simon and Keith Innes (13 and 11 years old respectively), brothers who find themselves involved in a mysterious case of serial murders in their small village. The first murder takes place at the Circus, much to the dismay of the boys:

"Heared about the Ripper?" asked Fred. "There won't be any circus this afternoon."

Up to that time it was the most terrible news I had ever heard, for we were too young to have been told outright about the deaths of our parents. We had found that news out gradually, and by putting two and two together; but this was a bolt from the blue.


Saturday, 6 April 2013

The Pastor of Vejlbye - Steen Steensen Blicher

Illustration by Povl Christensen (1909 - 1977)
I wanted to read this short-story as part of my mission to read more early mystery literature. The Pastor of Vejlbye was published in 1829 and subtitled 'A Crime Story'. It is often referred to as one of the first mystery novels. 


I enjoyed the story and found myself wanting to intervene to help certain characters. It was a good quick read and worth the trouble to find the book. I did not find it easy to get hold of an English translation of this short-story; I got it as part of a collection of short-stories in the end. If you don't want to struggle to get a physical copy of the book you can find a pdf version here.

The author, Steen Steensen Blicher, was one of Denmark's great Golden Age poets and short-story writers; he was much influenced by Scottish and English literature but never visited these countries.

The story is written in the form of a diary in two parts. The first part of the story is provided by Erik Sørensen, district sheriff, and the second part provided by the pastor of AAlsøe.

It is based upon (although does not follow exactly) a real event in 1626 when pastor Søren Qvist of Vejlbye (near Grenå) was sentenced to death, for the murder of his coachman in 1607, based on circumstantial evidence.


Searching for a body in the pastor's garden (Christensen)
Following the pastor's execution one of his sons investigates further into the events leading to his conviction. This leads to a new trial in 1634 when it is discovered that a number of the witnesses had committed perjury; both were then sentenced to death.

Blicher's short-story deviates from the authentic account of the case. He changes characters and adds a number of twists, including an interesting psychological aspect in respect to Søren Qvist's personality and beliefs. I won't give away the twists or the ending in order to preserve the suspense. :)





Monday, 25 March 2013

The Woman in White continued...

Harper's Weekly, 31 December 1859, Vol.III, No.157, p.841.
Illustrations by John McLenan
Weekly Part 6.
The woman in white took me so long to read that I thought it deserved two posts (it's a substantial book). 


I really enjoyed the story. I thought that the story progression in the first epoch was rather slow so it took me a while to get into the book. It sets out lots of unanswered questions. You see the questions mounting and foresee the numerous permutations of possible distasters without clue to which one will really happen, and you start to think that you might not get any answers. However, in the second epoch there is a lot more action and the final epoch does satisfy your questions (whether the outcome is to your liking is another matter).


My favourite bit is Miss Halcombe’s diary. Marian is my favourite character in the book. She’s a wonderfully strong female character, especially for the period. Here are a few of my favourite lines relating to Marian:

The Woman in White - Wilkie Collins

Harper's Weekly, 26 November 1859, Vol.III, No.152, p.753.
Illustrations by John McLenan
Weekly Part 1.
"[The Woman in White is] often singled out as the foundation text of "sensation fiction" – a genre distinguished by its electrifying, suspenseful, and sometimes horrific plots, as well as its unsavoury themes of intrigue, jealousy, murder, adultery, and the like..." The Guardian
The Woman in White was first serialised in Charles Dickens' weekly literary magazine, All the Year Round, between 1859–1860. Therefore celebrating its 150th anniversary in 2009. The story was later published as a book in 1860, first in three books, and then in one volume. The three book divisions serve as chapters (or epochs) in the single book version.

The initial format of small weekly articles can be seen to result in a long book. It is also the reason for the multitude of 'cliff-hangers' dotted throughout the narrative (carefully positioned at the end of each weekly publication), which give rise to the reputation for suspense the novel has accrued. To experience it as it's first Victorian audience did, the story can be read in its original weekly parts thanks to the 150th anniversary project. The story was published simultaneously in New York in Harper's Weekly, you can see the accompanying illustrations by John McLenan on the project site too.

The story is told in an epistolary format with testaments given by various characters, letters and other relevant text is also shared. The character narratives are given in the following order:

Epoch 1

  • Walter Hartright - Drawing Master
  • Vincent Gilmore - Solicitor
  • Marian Halcombe - Sister to Laura Fairlie 

Epoch 2

  • Continued by Marian Halcombe (Postscript by Count Fosco - Uncle by marriage to Laura Fairlie - see full title below)
  • Eliza Michelson - Housekeeper at Blackwater Park
  • Hester Pinhorn - Cook in the service of Count Fosco
  • Alfred Goodricke - Doctor
  • Jane Gould - Assistant to Mr Goodricke
  • Walter Hartright 

Epoch 3

  • Continued by Walter Hartright 
  • Mrs Catherick
  • Walter Hartright
  • Isidor, Ottavio, Baldassare Fosco - Count of the Holy Roman Empire, Knight Grand Cross of the Order of the Brazen Crown, Perpetual Arch-Master of the Rosicrucian Masons of Mesopotamia; Attached (in Honorary Capacities) to Societies Musical, Societies Medical, Societies Philosophical, and Societies General Benevolent, throughout Europe; etc. etc. etc. 
  • Concluded by Walter Hartright 

Thursday, 14 March 2013

New Books

I am excited because I have just ordered some new mystery books from my wish list. I am looking forward to their arrival.

I am interested in reading more of the early detective fiction so I have been trying to find recommendations for books to read. These are but a few from that list.

I wanted to read The Rector of Veilbye (first published 1829) by Steen Steensen Blicher but I could not find it easily available in an English translation. Instead I have got:
  • The Diary of a Parish Clerk and other short stories, (DPC first published 1824), S Steensen Blicher
- One of  the short stories included is the Rector of Veilbye, and I will get to sample some of the author's other works too.

I have also acquired:
  • L'Affaire Lerouge (first published 1866),  Émile Gaboriau (published in English as The Widow Lerouge)
-  I noticed the author mentioned in Dickson Carr's 'The Locked-Room Lecture' in The Hollow Man. He referenced Initials Only but I decided to get The Leavenworth Case as this is an earlier work of Green.

Finally, I got:
- It is taking me so long to read The Woman in White, that I think it will be a little while before I get around to reading this.

Wednesday, 13 March 2013

Cabin Pressure

L to R: Arthur Knapp-Shappey, Douglas Richardson (First Officer), Caroline Knapp-Shappey (Owner of MJN air and Flight Attendant), Martin Crieff (Captain - of course ;))
I cannot believe that I missed the last episode of the last series of Cabin Pressure! I intend to get Series 4 on CD as soon as it is available; It has been hilarious. :)

I've just been reading through some of the episode reviews and I came across this wonderful interview with John Finnemore. I love the fact that they have managed to keep the original cast, despite the actors becoming more and more famous. I also found it interesting to learn that Finnemore is part of the Cambridge Footlights comedy alumni. I'd really love to go to a Radio 4 recording of Cabin Pressure, although I doubt I'd get a ticket now, what with the "17,000 people applying for 200 tickets [and] People [flying in] from Japan and Thailand."

Douglas Richardson is my favourite character; his one-liners are superb.

Once you have listened to Cabin Pressure and fallen in love with it too, then consider reading John Finnemore's blog for some 'behind the scenes' details. Watch out though, it is addictive. ;)

Up at the Villa - Somerset Maugham

Vintage Classics: Up at the Villa
I had not read any other of Maugham's works before I decided to read Up at the Villa. I didn't even know what the story was really about. I had heard that it contained elements of crime and suspense but was not strictly a mystery novel.

The novella is gripping and, as it is an easy-read and quite short, I finished it quickly. It is definitely worth reading.

It follows a beautiful widow, Mary Panton, and her experiences staying in a sixteenth century villa in Florence. Mary's time of tranquil reflection and sight-seeing is brought to an end violently by a mistaken act of (com)passion. Suddenly, to avoid scandal, Mary is carrying out acts she thought she would never contemplate.



The main characters are:
  • Mary Panton ~ 30 year old widow recovering from her unhappy marriage
[Rowley to Mary] "You're a brown and gold girl, aren't you?" he said.
Her hair was of a dark rich gold, her large eyes deep brown, and her skin pale gold. It was her colouring which took away the coldness which her regular features may have given her face and gave her a warmth and a richness which were infinitely alluring.
"I think you're the most beautiful woman I've ever seen."
  • Sir Edgar Swift ~ Mary's admirer, friend of her father's, and important Indian Government Official
[Edgar] had had a distinguished career. He had been for five years Governor of the North West Provinces and during a period of great unrest had conducted himself with conspicuous ability. He had finished the term with the reputation of being the most capable man in India.
  • Rowley Flint ~ lovable rogue
It was true that Rowley was not much to look at... He had not a single feature that you would call good... He was in short a young man with a shocking reputation which he thoroughly deserved.
 ...he's not the sort of feller... that a decent woman ought to be asked to sit in the same room with.
  • The Princess San Ferdinando ~ an elderly American woman who had married a Roman Prince and had two grown-up children in the Italian army
She had little money, but a caustic tongue and a great good nature... she knew everybody she wished to know and everybody was pleased to know her.
  • Karl Richter ~ Austrian art student residing in Italy after he escaped from a concentration camp
His suit was shabby, his shoes patched and his shirt, open at the neck, frayed... By the light of the tall candles on the table his eyes were dark and cavernous. He had a strange head with... high cheek bones, hollow cheeks, a pallid skin and a look of strain which was somewhat moving. It occurred to Mary that in costume, dressed, say, like one of those young princes in a picture by Bronzino at the Uffizi, he would have been very nearly beautiful.
 My favourite lines include:

Rawley on risk

"My dear, I'd have done it for any pal. I'm not quite sure if I wouldn't have done it for a total stranger. You know, I like risk. I'm not really a law-abiding person and I got a great thrill out if it. Once at Monte Carlo I had a thousand pounds on the turn of a card, that was a thrill too; but nothing to this"
"Don't be afraid. The devil's a sportsman and he looks after his own."

Mary accepting reality
And now she realised that there was something particularly shocking [in what had been done]. She still didn't know what else could have been done to avoid a fearful scandal and Heaven only knew what difficulties with the police. But it was so fantastic that anything like that should happen to people like her that it didn't seem to belong in real life; it was the kind of thing that happened to one in a nightmare.

 Mary's lawyer on marriage
"But don't marry for love next time; it's a mistake; marry for position and companionship."